New Jersey families gave birth to two very creative people today, author Paul Auster and actor Nathan Lane.
Paul Auster was born in Newark to Jewish middle class parents of Polish descent, Samuel and Queenie Auster. He grew up in South Orange and graduated from Columbia High School in adjoining Maplewood. After graduating from Columbia University in 1970, he moved to Paris where he earned a living translating French literature.
Following his acclaimed debut work, a memoir entitled The Invention of Solitude, Auster gained renown for a series of three loosely connected detective stories published collectively as The New York Trilogy. These books are not conventional detective stories organized around a mystery and a series of clues. Rather, he uses the detective form to address existential issues and questions of identity, space, language and literature, creating his own distinctively postmodern (and critique of postmodernist) form in the process.
The search for identity and personal meaning has permeated Auster’s later publications, many of which concentrate heavily on the role of coincidence and random events (The Music of Chance) or increasingly, the relationships between men and their peers and environment (The Book of Illusions, Moon Palace). Auster’s heroes often find themselves obliged to work as part of someone else’s inscrutable and larger-than-life schemes. In 1995, Auster wrote and co-directed the films Smoke (which won him the Independent Spirit Award for Best First Screenplay) and Blue in the Face. Auster’s more recent works, Oracle Night (2003), The Brooklyn Follies (2005) and the novella Travels in the Scriptorium have also met critical acclaim.
Nathan Lane was born Joseph Nathan Lane in Jersey City, the son of Irish American Catholic parents. He was named after his uncle, a Jesuit priest. His father, Daniel, was a truck driver and an aspiring tenor who died from alcoholism when Lane was eleven; his mother, Nora, was a housewife and secretary. He has two brothers, Robert and Daniel. Lane attended Roman Catholic schools in Jersey City, including Jesuit-run St. Peter’s Preparatory High School, where he was selected Best Actor in 1974.
His brother Dan accompanied him to what was supposed to be his first day at St. Joseph’s College in Philadelphia, where he had received a drama scholarship. When they arrived, they learned he still couldn’t cover enough of the expenses for him to stay, without taking out another student loan, so he decided to go back home.
Because there already was a Joseph Lane registered with Actors Equity, he changed his name to Nathan after the character Nathan Detroit from the musical Guys and Dolls. He moved to New York City where, after a long struggle, his career began to take off, first with some brief success in the world of stand-up comedy with partner, Patrick Stack, and later with Off-Broadway productions at Second Stage Theatre, the Roundabout Theatre, the Manhattan Theatre Club, and his 1982 Broadway debut in a revival of Noel Coward’s Present Laughter as Roland Maule (Drama Desk nomination) with George C. Scott, Kate Burton, Dana Ivey, and Christine Lahti.
His second Broadway appearance was in the 1983 musical Merlin, starring Chita Rivera and magician Doug Henning. This was followed by Wind in the Willows as Mr. Toad, Some Americans Abroad at Lincoln Center, and the national tour of Neil Simon’s Broadway Bound.
In 1991 Lane starred with George C. Scott again in a revival of Paul Osborne’s On Borrowed Time at the Circle in the Square Theatre on Broadway.
In 1992, he starred in the revival of Guys and Dolls, receiving his first Tony nomination, as well as Drama Desk and Outer Critics Circle Awards, playing the character who lent him his name, opposite Peter Gallagher and Faith Prince.
His professional association with his close friend the playwright Terrence McNally includes roles in The Lisbon Traviata (Drama Desk and Lucille Lortel Awards), Bad Habits, Lips Together, Teeth Apart, Love! Valour! Compassion! (Obie, Drama Desk and Outer Critics Circle Awards), Dedication or The Stuff of Dreams (Drama Desk nomination), The Last Mile on PBS Great Performances, and the film version of Frankie and Johnny. The early 1990s began a stretch of successful Broadway shows for Lane. In 1993, he portrayed Sid Caesar-like Max Prince in Neil Simon’s Laughter on the 23rd Floor, inspired by Simon’s early career writing sketches for Your Show of Shows. In 1996, he starred in the revival of A Funny Thing Happened on the Way to the Forum, for which he won the Tony, Drama Desk and Outer Critics Circle Awards.
His association with Sondheim began with the workshop of Assassins, and after Forum he appeared with Victor Garber in the workshop of Wise Guys (later retitled Road Show). Their collaboration continued when he revised the original book for and starred in the Broadway debut of the composer’s The Frogs at Lincoln Center in 2004. He also sang a song written especially for him by Sondheim in the film The Birdcage, for which he received his first Golden Globe nomination.
In addition to the McNally plays, Lane has appeared in numerous other Off Broadway productions, including Love (the musical version of Murray Schisgal’s Luv), Measure for Measure directed by Joseph Papp in Central Park, for which he received the St. Clair Bayfield Award, The Common Pursuit, The Film Society, Mizlansky/Zilinsky or Schmucks, In a Pig’s Valise, Trumbo, She Stoops to Conquer, The Merry Wives of Windsor and A Midsummer Night’s Dream. In fact, in 1992 he won an Obie Award for Sustained Excellence of Performance. He also appeared at the Williamstown Theatre Festival in The School for Scandal and John Guare’s Moon Over Miami.
Lane performed in 1995′s The Wizard of Oz in Concert at Lincoln Center to benefit the Children’s Defense Fund. The performance was originally broadcast on Turner Network Television (TNT), and issued on CD and video in 1996.
Lane won his second Tony Award for his portrayal of Max Bialystock in the musical version of Mel Brooks’s The Producers, as well as Drama Desk and Outer Critics Circle Awards. He later replaced Richard Dreyfuss in the role in 2004 at London’s Theatre Royal Drury Lane at the last minute, and went on to win the Olivier Award as Best Actor in a Musical. He recreated his performance for the film version, for which he received his second Golden Globe nomination for Best Performance by an Actor in a Motion Picture, Musical or Comedy.
Lane has performed two roles originated by Zero Mostel, Pseudolus in A Funny Thing Happened on the Way to the Forum and Max Bialystock in The Producers. He declined the role of Tevye in the 2004 Broadway revival of Fiddler on the Roof because he didn’t want to be seen as always following in Mostel’s footsteps. Coincidentally, both of Lane’s Tony Awards were for Mostel’s roles.
In 2000 he starred in the Roundabout revival of The Man Who Came to Dinner as Sheridan Whiteside, with Jean Smart and Harriet Harris. Prior to that he starred in the Encores! production of Do Re Mi.
In 2005, Lane rejoined his Producers co-star Matthew Broderick for a successful limited run of The Odd Couple. In 2006, he took on a primarily dramatic role in a revival of Simon Gray’s Butley, having played the role to great success at The Huntington Theater in Boston in 2004. He and Broderick were awarded adjacent stars on the Hollywood Walk of Fame in a joint ceremony on January 9, 2006. They were also immortalized as Max and Leo at Madame Tussauds Wax Museum. He then played the President of the United States in the new David Mamet political satire, November, directed by Joe Mantello, followed by the critically acclaimed revival of Waiting for Godot as Estragon (Outer Critics Circle nomination) with Bill Irwin as Vladimir. He next starred in the musical version of The Addams Family as Gomez (Drama Desk and Outer Critics Circle nominations). In 2008 he was inducted into the American Theatre Hall of Fame.
The rest is literary, Broadway and Hollywood history.
[via Wikipedia (Lane) and (Auster)]
Copyright, You Don’t Know Jersey, LLC (2010-2012)
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